They descended on the shores of Goa in hordes, drawn by the lure of catching a glimpse of the Carnival spirit that sweeps the world, this time every year. This former Portuguese enclave is one place in India where the spirit of Carnival comes alive. 2008 was special in that the Brazilian community in India participated in the parade for the first time. A sea of humanity flooded the river-front promenade in Panjim as the riot of colour flowed down with each passing float.

The Carnival offers the chance for revellers to eat, drink and make merry. In Goa, it also offers a chance for traditions past to meet traditions future – most observed in the amalgamation of music. Old mandos melt into the blasts from Goa Trance, acid and techno music.

This to me is the striking aspect of the Carnival parade where floats bearing potters and fisherwomen, who, having long since given up their traditional occupations and dress, tell it like it used to be – even if for just one day. Such is the spirit of the day, where old traditions share a platform with present and future culture trends.

The Carnival tradition is said to have begun as a last gasp excuse for a good party before the forty days of lent, commemorating the Passion of Jesus. But is is also a mix of of traditions dating back to pre-Christian times. According to one school, the Roman festival of Saturnalia is probably the origin of the Italian Carnival.

As the King of the Carnival – Momo, issued his decree of four days of fun and frolic before Ash Wednesday, there is always the feeling that the Goa Carnival is much too commercialised. But as the old gives way to the new, the bystander is offered a chance to see Goa Past, Present and Future.”